On occasion it would be usefull to have note hold or always on.
so that the note is on without blowing, is this possible to map breath to perhaps expression and have the note always on?
On occasion it would be usefull to have note hold or always on.
so that the note is on without blowing, is this possible to map breath to perhaps expression and have the note always on?
In the manual it says you will have different sized plugs available to restrict airflow.
when will these be available?
perfect thats correct on all accounts, both very natural ways of achieving vibrato and overblowing.
I have contacted contact@aodyo.com and got a reply saying they are on holiday.
Have many years of experience with beta testing midi instruments, and software.. mostly midi bagpipes and wind synths would love to help out..
The extended fingering is almost the same as the flute, mimicking overblowing. But exchanges the tonic
so XxxxOxxxX is the tonic note for the flute.
so on the celtic XxxxOxxxO is the tonic.. I will make a chart but basically
OoxxOxxxO would be the octave and OoxxOxxoO would be the octave plus one, I hope thi sis right
Vibratto will be fun to try out, but it does not sound very natural whereas what I was describing is ?? perhaps give it a try.
having some fun experimenting with the aodyo..
My only disappointment is that the celtic fingering does not go over the octave like the flute without using the octave jumpers.
I can provide realistic fingering to mimic this which would make it more usable for me?
Also if you used the lower right hand leading note, little finger sensor to drop the notes pitch by 10 percent when not in use as a real note, you could achieve a workable vibrato, which you have control of the tempo.. making it again more flexible and expressive.