Patch Exchange Thread
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I didn't see another thread for community-generated patch. Is there another place for that? It looks like I can drag-and-drop an exported patch file, so maybe having a thread here is as good a place as any.
Here's my very first attempt. Not saying it's great. :-)
JH_First_Flute.anymaphi-patch -
@jimhanks I think you've just officially started one :)
A couple of us recently asked for a sub section, or similar, for patches to be shared, but so far that hasn't happened. One thread to rule them all seems like a good start, so I vote for yours.
broken-gadget shared a link to a large collection of patches he's made, in a thread about the editor, here:
To keep it all in one place, here's the link he gave:
@broken-gadget said in Anyma Phi editor software:
I've written a review of the Anyma Phi and published 57patches here: [http://www.brokengadget.org/anymated-synthesis/]
Mark Steiner linked to a demo of his own patches, on Vimeo. I'm not sure if he's planning to upload them here, but that's well worth watching, either way:
Anyma Phi - Exploration Patches (many engine types)
Thanks for the flute patch. I'll try that tomorrow. I liked your demo of factory patch 15, in your YouTube video. You might try making a variation on that by changing the oscillator type to the Windsyo Duduk, which is quite sax like. You may need to tweak it a bit afterwards to get something useful though - it responds differently.
From the front panel of the synth, you can press the encoder under the display to get to Copy Patch, then change to an empty patch slot and press the encoder again to get Paste Patch - you get a patch with the same name, with a + added on the end.
I uploaded a couple of tweaks of factory patches, in another thread, which are different to the originals, if not actually any better :) I've done the same with some of broken-gadgets patches, partly as a learning exercise, but uploading those seems like cheating, so I won't.
These are the two altered factory patches I posted before:
I have a couple more I like the results of, but I may tweak them a bit more first.
I've read your replies to other threads. I'll let you have the last word on those, for now. It might get people's attention better to see someone else replied, after I did.
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Nice work collecting all the patches so far @andyhornblower
@andyhornblower said in Patch Exchange Thread:
@jimhanks I think you've just officially started one :)
Yup, why don't we all treat this as the way to exchange patches. Would be nice bonus if it could be made a 'pinned' thread (assuming this forum has that facility).
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@bibenu said in Patch Exchange Thread:
Nice work collecting all the patches so far @andyhornblower
Thanks. I missed the other Vimeo demo link that Mark Steiner posted, which is also well worth watching:
Yes, we'll just have to keep pestering them to make this thread a sticky :) For now, we can all bump it once in a while, by adding a new patch.
Here's some I made earlier, exploring the Windsyo oscillator options a bit, in fairly basic patches. Each one responds to Breath, or velocity, and MOD:
The sax and clarinet ones are made with different voice options, but initially sounded very similar, so I tweaked the response of the parameters a bit to tell them apart.
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@jimhanks said in Patch Exchange Thread:
Here's my very first attempt. Not saying it's great. :-)
JH_First_Flute.anymaphi-patchI like it. I haven't had much luck with making flute sounds with the "Blow" sounds on my MI Elements, so maybe that one's based on Braids? I have a cut down Braids clone (12 bit DAC and no display or menus). I'll have to look into that.
I tweaked it a bit trying to get it a bit louder, and largely failed, but I did add some MOD wheel response:
JH_First_Flute&.anymaphi-patch
I've played both versions with my Yamaha WX5, with the expression wheel mapped to MOD for up, and pitch bend down, for down. It starts to get into pipe organ territory, on the lower range, with a bit more MOD...
If you press the hand icon twice (the one that selects the lowest row of the matrix - next to the right arrow button), you get to use the knobs as A, B, C & D. A works as the MOD wheel, so you can use that with your WARBL.
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I just noticed a third demo by Mark Steiner, on Vimeo. This is one is done without any additional effects. It's all coming directly from the anyma phi:
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Here's the patch I built in this video: https://www.youtube.com/watch?v=X4t-eYl88jc (tweaked just a little bit more):
And another I adapted from the "CClari1" patch - added some "dirt". Sounds more tenor saxish to me
JH_RaspishTenor.anymaphi-patch -
@andyhornblower simple but fun! particularly like the "clari" one
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I created a "Patch Exchange" subsection and moved this thread to it. Feel free to create new threads as new awesome patches get created!
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@jimhanks said in Patch Exchange Thread:
@andyhornblower simple but fun! particularly like the "clari" one
Thanks. Good video, and both good patches. The Raspish Tenor is great.
I'm having to blow quite hard on my Yamaha WX5 to get the buzzy flute to sound, which makes me wonder if your WARBL has a different response. The WX5 is adjustable, but it's fiddly to do, so I leave it alone now I've got it mostly comfortable.
My monitor is only 1360x768, so I watch YouTube videos in 720p. I gather yours is much higher resolution. I was still able to follow it though, and I guess most people have more pixels than me. FWIW, the editor works fine at that lowish resolution, though it starts with the window a bit too big. I have to make it full screen, by double clicking the title bar, to make it fit. There's more scrolling of boxes to do, but I can still get to all of the controls, which are all a fairly reasonable size.
Here's a couple more patches. One is another variation on Clari1, using the EQ filter with the peak, making something between an alto and a tenor... maybe, so I've called it CMel1, for C melody sax.
The other started as an experiment to see if I could get playable bugle series overtones with the EQ filter, which I can, but don't have any way to take away the original sound to leave just those, so I scaled my ambitions back a bit. In the lower octave, it sounds a bit like a bowed cello or double bass, crossed with throat singing, with overtones chosen by blowing harder or softer.
